831 Free Artworks of 1854 Photographs

metropolitan museum of art department of photographs, metropolitan museum of art experiments in physiology. facial expressions w. bruce and delaney h. lundberg gift albumen silver print from glass negative adrien alban tournachon albumen prints in the metropolitan museum of art mécanisme de la physionomie humaine photographs in the national gallery of art (washington, d.c.)albumen print

Bad humor, malcontentment, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Expression of severity, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Attention, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Painful memories, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Discontent, bad humor, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Figure 60: Fright, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Ture Arvid Billbergh (ca.1850)

black and white portrait photographs of men ture arvid af billbergh

duke alexander of württemberg (1804–1881)1881 portrait photographs

Zijaanzicht van de kathedraal van Chartres, Frankrijk, RP-F-2002-137, Charles Nègre, ca. 1851 - ca. 1854

photographs of eure-et-loir in the rijksmuseum amsterdam exterior of cathédrale notre-dame de chartres

Иваницкий Портрет М.Д.Ивановой-Раевской, Maria Raevskaia-Ivanova, 1916

maria raevskaia-ivanova alexei ivanitsky

Figure 18: Aggression, wickedness, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Arabische fontein te Jeruzalem (Jérusalem Fontaine Arabe) Jérusalem. Étude et reproduction photographique des Monuments de la Ville Sainte (serietitel), BI-F-B0073-37, Auguste Salzmann, between 1854 and 1856

jerusalem, by auguste salzmann, rijksmuseum sabil al-haram

Damascuspoort te Jeruzalem (Jérusalem Porte de Damas Vue extéieure) Jérusalem. Étude et reproduction photographique des Monuments de la Ville Sainte (serietitel), BI-F-B0073-35, Auguste Salzmann, between 1854 and 1856

jerusalem, by auguste salzmann, rijksmuseum historical images of damascus gate

Aggression, wickedness, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Pain and despair, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

[Stereograph Still-life of Game with Rake and Onion Jar], after 1854

stereo cards in the metropolitan museum of art thomas richard williams

Alfred-William-Finch-2, Alfred William Finch, circa 1900

impressionism,neo-impressionism,pointillism portraits of alfred william finch

Alfred Gilbert--bust of Francis Petrus Paulus--1906, Francis Petrus Paulus

sculptures by alfred gilbert francis petrus paulus

Figure 19: Suffering, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Poort van Jaffa te Jeruzalem (Jérusalem Porte de Jaffa Intérieur) Jérusalem. Étude et reproduction photographique des Monuments de la Ville Sainte (serietitel), BI-F-B0073-31, Auguste Salzmann, between 1854 and 1856

jerusalem, by auguste salzmann, rijksmuseum historical images of jaffa gate

Grot van Jeremias, Jeruzalem (Jérusalem Grotte de Jérémie) Jérusalem. Étude et reproduction photographique des Monuments de la Ville Sainte (serietitel), BI-F-B0073-15, Auguste Salzmann, between 1854 and 1856

jerusalem, by auguste salzmann, rijksmuseum donation a.n. godefroy

Gaiety expressed by the ideas of lustfulness, cynicism and lewdness, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Attention (left); Reflection (right), between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Terror mixed with pain, torture, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Astonishment, stupefaction, amazement, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Poort van Herodes te Jeruzalem (Jérusalem Porte d'Hérode) Jérusalem. Étude et reproduction photographique des Monuments de la Ville Sainte (serietitel), BI-F-B0073-34, Auguste Salzmann, between 1854 and 1856

jerusalem, by auguste salzmann, rijksmuseum donation a.n. godefroy

A relaxed expression (left); Disgust (right), between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Painful recollection or painful thoughts, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

HMS Phoenix (1832) and HMS Diligence (1814) at anchor, Godhavn, Edward Augustus Inglefield

hms diligence (ship, 1814)hms phoenix (1832)

Carl Max Kruse, Wilhelm Fechner, between 1890 and 1900

photographs by wilhelm fechner carl max kruse

Millesviks kyrka, Gustaf Brusewitz

photographs by helge kjellin altars in sweden

Extreme pain, the head of Christ (left); Memory of love or ecstatic gaze (right), between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Weeping, tears of pity (left); Relaxed face (right), between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Dissatisfaction, somber thoughts (left); Reflection (right), between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Attention (left); Severity, aggression (right), between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Anna Munthe-Norstedt, Anna Munthe-Norstedt

black and white portrait photographs of women at bust length anna munthe-norstedt

Figure 34: Grimace, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Portret van een vrouw, RP-F-F15298, between 1854 and 1877

photographs by andré adolphe eugène disdéri in the rijksmuseum amsterdam cartes de visite (portraits) in the rijksmuseum amsterdam

Graftombe van Absalom in Dal van Josafat te Jeruzalem Jérusalem. Vallée de Josaphat. Détails du tombeau d'Absalom (titel op object), RP-F-F80100, Auguste Salzmann, 1854

jerusalem, by auguste salzmann, rijksmuseum historical images of the tomb of absalom

Portret van een vrouw, RP-F-F15299, between 1854 and 1877

photographs by andré adolphe eugène disdéri in the rijksmuseum amsterdam cartes de visite (portraits) in the rijksmuseum amsterdam

Pretsch, Paul - Vorderansicht der Gloriette im Park von Schloss Schönbrunn, Wien (Zeno Fotografie)

historical history

The attention attracted by an object that provokes lascivious ideas and desires, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Attention, attentive gaze (left); Painful attention (right), between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

A relaxed face (left); False joy or laughter (right), between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Scornful disgust (left); Scornful laughter (right), between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

A relaxed face (left); Profound attention (right), between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Slight lowering of the angle of the mouth due to depression (left); False laughter (right), between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

This contraction of m. platysma alone lacks expression, between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Figure 81: Lady Macbeth, moderate expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 78: Scene of coquetry, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 9: A study of m. frontalis in maximum contraction, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 63: Expression of terror, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 54: Voluntary lowering of the lower jaw, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 50: Affected weeping and face in repose, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 16: Expression of severity, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 26: Expression of painful attention and attention, attentive gaze., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 25: Not an expression of pain, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 36: Scornful laughter and scornful disgust, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 53: Whimpering and false laughter, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 8: Contraction of the right m. frontalis., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 49: Painful weeping and forward looking., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 75: Nun saying her prayers, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 82: Lady Macbeth, strong expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 15: Mediation, mental concentration, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 27: Expression proportionally more pained, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 57: Astonishment, stupefaction, amazement, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 71: Same head as in Plate 70, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Jakob Heer von Samuel Heer, 1 January 1844

samuel heer-tschudi jakob heer

Figure 73: Head of Niobe, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 20: Profound suffering, with resignation, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 83: Lady Macbeth, ferocious cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 45: Pain and despair., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 47: A suggestion of this same weeping, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 22: No painful expression, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 4: The face in repose of a young man, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 52: Voluntary retraction of the lower lip, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Grafplaats (grot) in het Dal van Josafat te Jeruzalem Jérusalem, Vallée de Josaphat. Grotte sépulcrale (titel op object), RP-F-F80099, Auguste Salzmann, 1854

jerusalem, by auguste salzmann, rijksmuseum salt prints in the rijksmuseum amsterdam

Parsons-Warner House - 079954pv

historic american buildings survey of massachusetts parsons-warner house

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Gezicht op de Rotskoepelmoskee te Jeruzalem (Jérusalem Mosquée d'Omar, côté ouest) Jérusalem. Étude et reproduction photographique des Monuments de la Ville Sainte (serietitel), BI-F-B0073-30, Auguste Salzmann, between 1854 and 1856

jerusalem, by auguste salzmann, rijksmuseum dome of the rock in 1856

Bekken van Birket-es-Soultan bij Jeruzalem (Jérusalem Birket-es-Soultan) Jérusalem. Étude et reproduction photographique des Monuments de la Ville Sainte (serietitel), BI-F-B0073-11, Auguste Salzmann, between 1854 and 1856

jerusalem, by auguste salzmann, rijksmuseum sultan's pool

Gezicht op de Munt aan de overzijde van het Singel in Amsterdam, RP-F-AB12279-BG, Eduard Isaac Asser, circa 1854

photographs by eduard isaac asser in the rijksmuseum amsterdam salt prints in the rijksmuseum amsterdam

Portret van de heer Brown, RP-F-F15289, between 1854 and 1877

photographs by andré adolphe eugène disdéri in the rijksmuseum amsterdam cartes de visite (portraits) in the rijksmuseum amsterdam

5723050.Erwin Quedenfeldt, 1911

coding da vinci nieder.rhein.land 2021 romanticism

Hermione von Preuschen, Stahlstich nach einem Foto, 1893, Hermione von Preuschen

portrait steel engravings hermione von preuschen

The muscle of attention (left); Eyebrow contraction due to bright light (right), between 1854 and 1856

photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine

Daguerrotipo de Urquiza, 1860

daguerreotype portraits of argentina portraits of justo josé de urquiza

Vallei van Hinnom, bij Jeruzalem (Jérusalem Vallée de Hinnom Champ du Sang) Jérusalem. Étude et reproduction photographique des Monuments de la Ville Sainte (serietitel), BI-F-B0073-5, Auguste Salzmann, between 1854 and 1856

jerusalem, by auguste salzmann, rijksmuseum donation a.n. godefroy

Portret man zittend op tafel met boek, RP-F-F15297, between 1854 and 1877

photographs by andré adolphe eugène disdéri in the rijksmuseum amsterdam cartes de visite (portraits) in the rijksmuseum amsterdam

Agnes Grace Weld in ringlets and a lace collar, Oscar Gustave Rejlander

pictorialism,pre-raphaelite brotherhood photographs by oscar gustave rejlander

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 48: Mild weeping, pity and feeble false laughter, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 10: Showing the expressive lines of m. frontalis in a young girl, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Portret man zittend op tafel met boek, RP-F-F15296, between 1854 and 1877

photographs by andré adolphe eugène disdéri in the rijksmuseum amsterdam cartes de visite (portraits) in the rijksmuseum amsterdam

Figure 21: Painful recollection and recollection or calling something to mind, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 6: The grimice produced is similar to a tic of the face, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

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